Fisher, Roy, 1930 - 2017
Dates
- Existence: 11 June 1930 - 21 March 2017
Biography
Roy Fisher (1930-2017) was a key figure in the renewal of poetry in Britain during the second half of the twentieth century. Born and raised in Handsworth, Birmingham, he followed a career as a teacher then lecturer in schools, colleges of further education, and Keele University. Fisher described poetry as his third art, having been an enthusiastic schoolboy painter and a semi-professional jazz pianist until disabled by a stroke in the mid-1990s. Yet it was poetry in which he built a sound reputation during the 1960s beginning with the first edition of his signature work City (Migrant Press, 1961). The Fulcrum Press volumes The Ship’s Orchestra (1966), Collected Poems 1968 (1969), Matrix (1971) and The Cut Pages (1971) established his credentials and resulted in his appearing in popular Penguin anthologies such as The Children of Albion edited by Michael Horowitz (1969), and British Poetry since 1945 edited by Edward Lucie-Smith (1970). The majority of his work from the following decade was gathered in The Thing about Joe Sullivan (1978). A second collected edition, Poems 1955-1980, appeared from Oxford University Press in 1980 and was followed by A Furnace (1986) and Birmingham River (1994). Bloodaxe Books then took over the publication of his work and continued to do so with The Dow Low Drop: New and Selected Poems (1996), The Long and the Short of It: Poems 1955-2005 (2005), Standard Midland (2010), Slakki: New and Neglected Poems edited by Peter Robinson (2016) and, posthumously, The Citizen and the making of City also edited by Peter Robinson (2022).
Beginning in the early 1970s, Fisher was a regular collaborator with visual artists, producing a series of texts, not all of them reprinted in his collections of poems, for limited-edition publications. He met Ian Tyson first, the founder of Tetrad Press, and through him worked with Derek Greaves and Tom Phillips, but his most significant contributions to artists' books came with Ron King’s Circle Press. Fisher and King collaborated on four major Cirle Press works: Bluebeard's Castle (1972), The Left-handed Punch (1986), Anansi Company (1992), and Tabernacle: Hole, Horse and Hell-box (2001) as well as six other smaller works, including The Half-Year Letters (1983), Ron King's innovative concertina pop-up alphabet book.
Found in 8 Collections and/or Records:
Broadcasts, 1955 - 1998
Correspondence concerning Roy Fisher's contributions to radio broadcasting. The first box contains correspondence about BBC programmes including 'The Poet's Voice'; 'Midland Poets'; ‘New Poetry’; ‘Sounding Off’; ‘A Word in Edgeways’; the World Service programme ‘Faces’; the World Service series ‘Poets on Music’; 'Poetry ’85' broadcast on Radio 3, and more. The second box contains recording scripts for the shows.
Correspondence, 1 January 1941 - 31 December 2016
Personal and professional correspondence from friends and relations, poets, writers, artists, academics, and musicians.
Drafts and notes relating to published works, 1949 - 2020
Roy Fisher's handwritten notebooks, manuscripts and typescripts of published works and of single poems. This section also includes Roy's translation work.
Interviews with, and writings on Roy Fisher and his work, 1973 - [2000]
This section contains interviews with Roy Fisher, and critical writing on his work.
Jazz, 1 August 1956 - 24 June 1990
Correspondence, flyers, posters, contracts, and writing about jazz.
Migrant Press, 1964 - 1980
Several accounts records, invoices and related paperwork of Migrant Press. Also includes newspaper and magazine reviews of Migrant books.
Other publishers, 1960 - 2020
Correspondence from Roy Fisher's publishers, including Bloodaxe, as well as letters of rejection from others including Jonathan Cape and Chatto & Windus.
Roy Fisher Archive
Additional filters:
- Type
- Archival Object 7
- Collection 1
- Subject
- Poetry 1