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Bertram Mills Circus (1920 - 1967)

 Organisation

Dates

  • Existence: 1920 - 1967

Biography

Bertram Wagstaff Mills was born in London on August 11, 1873, the son of Halford Lewis Mills of Smarden, the proprietor of a coach building firm and funerary company.

Bertram became part of the family business as a carriage builder and only became involved in the circus through a wager in 1919 of £100 from Sir Gilbert Greenhall, a fellow coaching enthusiast, who was encouraged by R.G. Heaton, the Managing Director of Olympia to put on a first class circus after watching what was in his eyes a very disappointing show at Olympia.

Mills has originally planned to win the wager by engaging Ringling Bros and Barnum and Bailey to come to London for the 1920-1921 season but cancellation of the contract resulted in Mills decided to put on his own show. He rose to the challenge and the following year he presented a circus which would become an annual highlight for London audiences and introduced world class performers to the British public.

Between 1930 and 1964, and alongside his annual shows at Olympia, Bertram Mills Circus toured the country under the management of his sons Cyril and Bernard. Following the lines of excellence, production and performance standard set by the Olympia shows, according to Bertram Mills, ‘The Mills Circus will perform like professionals and live like gentlemen."

After approximately nine years of exhibiting in London, he created a tenting show which was said to have cost £40,000 to launch and £2500 to run weekly. With the crème de la crème of circus performers forming part of his touring repertoire, regional audiences thrilled to some of the leading artists of the day appearing in the specially designed German big top which travelled by their town by rail, the first British showmen to do so.

Bertram Mills’ status as an innovator and re-invigorator of the circus was heralded on both sides of the Channel. He only selected the best and most polished performers in the world and one of his major impacts as a producer was his ruthless ability to select the best five minutes of a twenty minute act. Circus historian Don Stacey lists these as part of his five principles the others being the ability to attract and convert influential people to the cause of the circus, using individual acts to promote as the star of the show with his treatment of Koringa being a case in point, and finally his ability in using publicity and marketing for the benefit of the show. As one contemporary commentator observed, 'It is not an exaggeration to say that he brought back the circus to England at a time when it seemed that it was about to quietly expire, killed by the War and mechanical entertainment'.

Mills believed in attracting and encouraging the attentions of the great and the good and following on a tradition laid out in the nineteenth century when circus was patronised greatly by the Royal Family, he aimed to make the Quality Show part of the establishment. From 1926 onwards following a visit of the then Prince of Wales to Olympia, the association between the Bertram Mills Circus and the Royal Family resulted in over sixty visits to the shows during its time in Olympia and other venues.

Bertram Mills became President of the Showmen’s Guild of Great in 1935, only the second circus showmen to hold such a position and the first and only time in its history that the position was occupied by someone not born into the business. He proved to be a successful and capable President, often travelling thousands of miles on Guild business including attending the First International Showmen’s Congress in Paris in 1937. Also this year Bertram Mills was the first circus in the world to be televised.

Mills died at the age of sixty-four of cardiac syncope and bronchial pneumonia on 16 April 1938 at his home, Pollards Wood, Chalfont St Giles, the day the tenting circus opened, at Luton, but the circus opened that evening. His death was greeted by the public and industry alike with shock as tributes to Britain’s No 1 Showman and King of the Circus appearing on the newsstands. However, the legacy he built was second to none, the principals laid down by the Quality Show with its attention to detail, model professionalism and quality of acts would be continued by both his sons and provided a template for the industry to follow.

By 1965 Bertram Mills Circus was in decline due to raising costs and the new way of competition the advent of television brought to the entertainment sector. The last winter season at Olympia was delivered by catering and hotel magnate Maxwell Joseph who leased the business for the 1966-1967 season, which will be the last one. Bertram Mills Circus closed 1967.

Found in 229 Collections and/or Records:

Fun at the Circus Film, c1945 - 1990

 Item — Box Noel Drewe Box 4: Series 178D5
Reference code: 178D5.24
Scope and Contents

Circusama and Yesterdays Circus Today. 16mm, Cyldon. 400 feet, 16 minutes long. Black and white, silent. Includes Bertram Mills Circus. ‘Nature Playground’ on reel. Movie-pak series. Copied to DVD 2 and DIGI-BETA.

Dates: c1945 - 1990

Fun at the Circus Film, c1945 - 1990

 Item — Box Noel Drewe Box 7: Series 178D5
Reference code: 178D5.49
Scope and Contents

Circusama and Yesterdays Circus Today. 16mm, Cecol. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.

Dates: c1945 - 1990

Here's The Circus Film, 1955

 Item — Box Noel Drewe Box 3: Series 178D5
Reference code: 178D5.22
Scope and Contents

Circusama and Yesterdays Circus Today. 16mm. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.

Dates: 1955

Here's The Circus Film, 1955

 Item — Box Noel Drewe Box 4: Series 178D5
Reference code: 178D5.27
Scope and Contents

Circusama and Yesterdays Circus Today. 16mm. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.

Dates: 1955

Here's The Circus Film, c1945 - 1990

 Item — Box Noel Drewe Box 8: Series 178D5
Reference code: 178D5.61
Scope and Contents

16mm, G.B. Equipment Ltd. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 3 and DIGI-BETA.

Dates: c1945 - 1990

It's the Circus and Sawdust Ring Film, c1945 - 1960

 Item — Box Noel Drewe Box 2: Series 178D5
Reference code: 178D5.15
Scope and Contents

Features It's the Circus parts 1 and 2, as well as Sawdust Ring. 9.5mm. 200 feet, 8 minutes long. Includes Bertram Mills Circus.

Dates: c1945 - 1960

It's the Circus Film, c1945 - 1965

 Item — Box Noel Drewe Box 15: Series 178D5
Reference code: 178D5.137
Scope and Contents

Circusama, Yesterdays Circus Today. 8mm, Boots. 400 feet. Walton Films. Includes New Bertram Mills Circus.

Dates: c1945 - 1965

It’s the Circus Film, c1945 - 1960

 Item — Box Noel Drewe Box 32: Series 178D5
Reference code: 178D5.309
Scope and Contents

Circusama, Yesterdays Circus Today. 9.5mm, Pathescope. Black and white, silent. Commercial film featuring Bertram Mills Circus.

Dates: c1945 - 1960

Jack Niblett's Circus Sketches, c1929 - 1990

 Sub-Series
Reference code: 178V11.51
Scope and Contents

286 loose sketches and 6 sketchbooks of circus acts, animals and performers from various international circuses including Smarts, Bertram Mills and Robert Bros. by Jack Niblett. Pen and ink, felt pen, watercolour, pencil and pastel.

Dates: c1929 - 1990

Joe Stumcke Collection

 Fonds
Reference code: NFA0162
Scope and Contents

This collection contains scrapbooks, programmes, photographs of performers at the Kursaal, Bertram Mills Circus and sideshows as well as some business records related to the Stumcke family and their work at the Kursaal and Bertram Mills Circus.

Dates: 1829 - 1974

Lindsay Temple's Circus Photographs and Postcards, 1958 - 1960

 Sub-Series
Reference code: 178C108.186-323
Scope and Contents

Black and white photographs and postcards of circus acts, performers and animals on and off the ring from various circuses including Bertram Mills, Chipperfields at various locations in the United Kingdom including Kelvin Hall, Belle Vue, Olympia, Blackpool Tower, Great Yarmouth, Birmingham and Kendal, some contain annotations on reverse.

Dates: 1958 - 1960

Lord George Sanger's Grand Colosseum Circus Programme, c1908

 Item
Reference code: 178K43.552
Scope and Contents

Marron type on off white background with illustrations of circus performers along the right and left edges including, highwire walking, clowns, acrobats, animals and equestrian act, programme in the centre. Printed by Willson's Printers, Leicester, 2p.p.

Dates: c1908

Madison Square Garden Productions in Association with Cyril Bertram Mills Presents Centre Circus Programme, 20 July - 28 August 1978

 Item
Reference code: 178K41.21
Scope and Contents

Mills present Centre Circus. Brighton Centre. The Four Vulcanus fire act, Hoppes’s rodeo Mules, The Kam-Tai troupe balancing act and others. Contains photos, 12p.p.

Dates: 20 July - 28 August 1978

Monographs, Articles, Manuscripts and Research Material, c1795 - 1999

 Series
Reference code: 178B30
Scope and Contents

Compilation of monographs, articles, manuscripts and a range of research material about circus companies and performers in the United Kingdom, Europe and other parts of the world by various authors, the research was mainly compiled by Hal Thomas.

Dates: c1795 - 1999

Newspaper and Magazine Cuttings on Circus, 1897 - 2005

 Sub-Series
Reference code: 178G21.95
Scope and Contents Newspaper cuttings and journals containing circus related articles on a range to topics including; animal rights, the death of Gordon Howes lion tamer, the Great Wallenda, George Sanger and Poppy Ginnett's wedding, other articles on Lord George Sanger and the Sanger Circus, The Smart Circus, Carlos Rosaire and Tina Paolo's wedding, King Ohmy's death, the death of Carmer Rosaire, the Paolo family, Circus Krone, Orfei Circus, Koringa, Circus Sarrasani, World War 2, Barbette, Omi, the Fossett...
Dates: 1897 - 2005

Newspaper Cuttings and Scapbooks, 1838 - 2007

 Series
Reference code: 178G21
Scope and Contents

A collection of newspaper cuttings on circus, circus proprietors and performers and scrapbooks containing newspaper cuttings, posters, programmes and other items of ephemera, covering mainly British circuses and venues such as Belle Vue and also some international circuses.

Dates: 1838 - 2007

Newspaper Cuttings on Bertram Mills Circus, 1934 - 1991

 Sub-Series
Reference code: 178G21.90
Scope and Contents

Newspaper cuttings and magazine articles on Bertram Mills' circus, including an issue of Modern Railway News journal and Bertram Mill's obituary. Original and photocopies.

Dates: 1934 - 1991

Noel Drewe Collection

 Fonds
Reference code: NFA0058
Scope and Contents

A large collection of films entitled Circusama containing amateur and professional films on the themes of circus, performing animals and zoos, and edited clips from commercial Western and comedy films. The films are in a variety of formats including 8mm, Super8, 9.5mm and 16mm and contain related correspondence and notes. This collection also contains some sound reels mainly of fairground music.

Dates: c1930 - 1990

Original Artwork, c1800 - 2000

 Series
Reference code: 178V11
Scope and Contents

Original works of art including artists' prints, drawings, watercolours and paintings, and designs for circus posters.

Dates: c1800 - 2000

Our Call-Boy Presents Bertram Mills Circus Drawing, 30 December 1928

 Item
Reference code: 178V11.24
Scope and Contents Ink on board drawing by Arthur Ferrier (1891-1973). Black and white illustration of circus acts, some of which are emerging from a paper hoop held by a call-boy on top left and include clowns, a bear riding a bycicle, a man carrying a lion on his shoulders, an elephant carrying a man in his mouth, a roller skating act on a platform and a scene with performing animals including a fish on top right with text, signed Arthur Ferrier on bottom left in ink, on mount board 'Reproduced in the News...
Dates: 30 December 1928