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Belle Vue (1836 - 1982)

 Organisation

Biography

Belle Vue was the first privately founded zoo in England, established by John Jennison in 1836.

John, an entrepreneur and professional gardener, started selling fruit and vegetables from his home grounds in Adswood, Stockport in the mid-1820s with his wife. By 1829 they had built an aviary business, opened to the public for an admission charge and had turned their home into a public house. During the next decade the business continued expanding and in 1836, they took over Belle Vue, a public house seating on over 35 acres of land. The Jennison's original idea was to turn the gardens into a botanical attraction with some animal displays, but pushed by public demand, they decided to expand the zoological side of the business.

At its opening, as well as the aviary, Belle Vue contained an Italian Garden, lakes, mazes and hothouses. The site was an instant success and as attendance increased so did the attractions. In 1843 ponds were enlarged to create a boating lake with an island holding a natural history museum in the centre. In 1847 a racecourse was added and from 1852 firework displays became a regular feature. As the popularity of the site increased, so did the demand for innovation and an amusement park was built in the 1870s containing all the popular fairground rides of the time. Music and dancing were also popular attractions from the beginning, which could be enjoyed in various ballrooms and the Kings Hall exhibition space built in 1910, became the largest outside London.

The site was thriving up to the beginning of the First World War, when the complex was requisition by the government to build a munitions factory and for use by the Manchester Regiment. In spite of this, Belle Vue managed to survive the war and continued expanding during the post-war years, incorporating an annual Christmas circus show, which lasted for nearly sixty years from 1922. The circus was provided by the Blackpool Tower Company, which supplied acts and equipment, including the Tower’s resident ringmaster George Lockhart and became a roaring success. Additionally, in 1928 Belle Vue built the largest purpose-built speedway stadium in the country and became a renowned boxing and wrestling venue.

During the Second World War, parts of the complex were requisitioned for military use including the King’s Hall, the restaurants, the offices and some of the grounds. Part of the gardens were also requisitioned by the Manchester Corporation to grow food. However, the rest of the complex was allowed to remain open to the public, which enabled Belle Vue to avoid financial disaster.

During the post-war years Belle Vue recovered and became one of the most famous attractions in the North West until the late 1960s when it started to decline. Huge financial losses first prompted the closure of the zoo in 1980. Between 1978 and 1982 several attempts to revitalise the rest of the complex were made, but eventually the land was sold and the site cleared by 1987.

At its peak, Belle Vue held the third largest zoo collection in the UK and attracted more than two million visitors a year. After its sale, the land was redeveloped for residential and business use with only the greyhound racing stadium, snooker hall and cinema remaining from the original site.

Found in 7 Collections and/or Records:

Christopher Palmer Collection

 Fonds
Reference code: NFA0105
Scope and Contents

Circus programmes and VHS tapes from Billy Smart’s Circus and Chipperfields’s Circus collected during the 1970s and early 1980s by the TV producer, Christopher John Palmer. There are also a number of promotional photographs of artistes and other ephemera related to the circus.

Dates: 1973 - 1983

Circus Friends Association Collection

 Fonds
Reference code: NFA0122
Scope and Contents

This collection consists of a large library of books and journals, as well as archival material including posters, programmes, photographs, films, handbills, research material, scrapbooks, original artwork and many other items of ephemera relating to British, Irish and European circuses

Dates: 1795 - 2020

Newspaper Cuttings and Scapbooks, 1838 - 2007

 Series
Reference code: 178G21
Scope and Contents

A collection of newspaper cuttings on circus, circus proprietors and performers and scrapbooks containing newspaper cuttings, posters, programmes and other items of ephemera, covering mainly British circuses and venues such as Belle Vue and also some international circuses.

Dates: 1838 - 2007

Orton and Spooner Collection

 Fonds
Reference code: NFA0070
Scope and Contents

This collection contains a large selection of archives from the Orton and Spooner Company. The collection comprises photographs and cabinet card images showing carved work, structural work and classic painted work, 4 boxes of notes, invoices and clippings, 8 drawers of plans and blueprints, 2 folders of ride specifications and order forms, accounts books and a library of source books showing turn of the century art used by the artists in the company.

Dates: c1870 - 1969

Photographs and Postcards, c1800 - 1999

 Series
Reference code: 178C108
Scope and Contents

Black and white and colour photographs, negatives and photographic albums mainly containing images of British circus, circus performers, animals and circus personalities but also some menageries such as Bostock and Wombwell and other associated entertainments and non-British circuses taken by David Jamieson, Lindsay Temple, Den Curtis, Capt. Middleton, Jack Niblett and other photographers.

Dates: c1800 - 1999

Programmes, 1970 - 1981

 Series
Reference code: 178K41
Scope and Contents

Programmes for various British and international circuses including Billy Russell's, Blackpool Tower, Fossett's, Chipperfield's and the Toni Boltini's Circus.

Dates: 1970 - 1981

Programmes, c1800 - 2019

 Series
Reference code: 178K43
Scope and Contents

A collection of mainly British and international circus programmes and some variety and music hall programmes containing circus acts.

Dates: c1800 - 2019