Box LF100 Box 1
Contains 75 Results:
Masquerading, 30 August 1811
She Stoops to Conquer, 10 March 1811
Rural Sports, or an Old Mole Catcher in Full Scent, 31 August 1811
A hand-coloured print of a rural scene in which an elderly man rides on a horse through a field; he is preceded by two dogs. He spies a young woman wearing a bonnet and a red cloak sitting under a tree and advances towards her. Inscribed in the plate: '83 / Price one shilling coloured / Pubd Augst 31 by Thos Tegg No 111 Cheapside'. Description from the Royal Collection Trust.
Puss in Boots, or General Junot taken by Surprise, 1811
A Catamaran, or an Old Maid's Nursery, 1 March 1811
Touch for Touch, or a Female Physician in Full Practice, 1 May 1811
Engraving (coloured impression). A handsome well-dressed young courtesan leads the way out of a room, her left hand held behind her to take the guineas which an aged and decrepit old rake gives her with a leer. A handsome well-furnished room is indicated. Above the chimney-piece is a heavily-framed picture of Danaë catching the shower of gold (cf. No. 9812). Grego, 'Rowlandson', ii. 206. Partial description from the Catalogue of Political and Personal Satires Vol. IX. 11806.
Love Laughs at Locksmiths, 1811
The Anatomist, 12 March 1811
A Templar at his Studies, 1811
The Gig Shop or Kicking up a Breese at Nell Hamiltons Hop, 16 Feburary 1811
Bacon Faced Fellows of Brazen Nose, Broke Loose, 26 Feburary 1811
Christmas Gambols, 1812
The scene shows the results of holiday festivities, with mistletoe overhead and four couples embracing, kissing, or attempting to kiss below. Description from the Metropolitan Museum of Art.
A Monkey Merchant, 1812
A hand-coloured print of a man with monkeys climbing over him. He is watched by a Jewish man and a woman. One of the monkeys wears a military style jacket (possibly to represent Napoleon) and another wears a red cape that covers its back. In the background stand buildings indicating a town. Inscribed in the plate: 'M / Rowlandson 1812'. Description from the Royal Collection Trust.
A Cat in Pattens, 1812
English Exhibitions in Paris or French People Astonished at our Improvement in the Breed of Fat Cattle, 1812
A hand-coloured print of a large Englishman who, with his right hand to his head, looks on with astonishment to see that his waistcoat can fit five Parisians who dance and frolic inside it. In the background, a large lady is examined with an air of wonder by a party of thin people. Inscribed in the plate: 'Rowlandson 1802'. Description from the Royal Collection Trust.
The Corporal in Good Quarters, 18 July 1812
Hand-coloured etching. In plate below image left: 'Rowlandson del.'; right: 'Published July 18th 1802 by S Howitt, Panton Street, Hay Market'. Description from the Metropolitan Museum of Art.
Bitter Fare or Sweeps Regaling, 1812
A hand-coloured print of a family of chimney sweeps sitting around a large open fire over which a pot simmers. The woman is bare-breasted (pencilled in) and holds a jug as a man also smoking a pipe stares at her. Four blackened children or 'climbing boys' lie and sit on the floor eating from bowls, the contents of which interests a white cat. Description from Royal Collection Trust.
New Invented Elastic Breeches, [1775 - 1827]
Hand-coloured etching. Inscription: in plate within image, a sign that reads: 'Ramskin / Elastic Spring Breeches / Maker / They set Close to the Hips / and never alter their / Shape which Thousands / can Testify - Likewise / a large & curious / Assortment of Braches / Balls Straps -- / Boot Garters'. Inscribed in plate within image, lower left: Nixon inv-t'; lower right: 'Rowlandson scul'. Description from the Metropolitan Museum of Art.