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Marisa Carnesky Collection

 Fonds
Reference code: NFA0095

Scope and Contents

This collection contains research material, business records, grant applications, project planning documents, contracts, programmes, posters, handbills, newpaper cuttings and other records relating to Marisa Carnesky's career as a showwoman. The records comprise the production and travelling of Marisa's shows including Carnesky's Ghost train, SmutFest, Jewess Tattoess, Dragon Ladies, Chamber of Horrors, Dystopia, Magic War, The Incredible Bleeding Woman and Tarot Drome.

Dates

  • Creation: 1970 - 2010

Creator

Conditions Governing Access

Most items are available to view by appointment in the NFCA reading room. Restrictions apply to documents containing personal information

Conditions Governing Use

Copies may be supplied or produced at the discretion of National Fairground and Circus Archive, subject to copyright law and condition of the material

Biographical / Historical

Marisa Carr works under the stage name Marisa Carnesky. She has been at the forefront of innovative theatre practice and new circus for the last two decades and has received the Laurence Olivier Award-Best Entertainment 2004, Edinburgh Festival Herald Angel Award 2005 and Time Out-Best Theatre 2004.

Originally trained as a ballet dancer, Marisa studied Performance and Fine Art at the University of Brighton. Since graduating she has shown her work worldwide, from solo shows; Jewess Tattooess and Magic War, to larger scale works and group shows. Her best known and biggest show, Carnesky´s Ghost Train, first seen in London´s Brick Lane in 2004, is now permanently situated at the Flagstaff Gardens, Blackpool.

Over the past decade Carnesky has been wowing audiences and critics alike with her spectacular shows, where experimental performance meets the traditional language of magic, burlesque and the fairground. Delving into strange worlds, Marisa´s work finds a voice for subjects both bizarre and serious, where disappeared daughters cross haunted borders and religious taboos are challenged.

For three years, Marisa Carnesky was the AHRC Creative and Performing Arts Fellow at the National Fairground Archive. To celebrate this fellowship, The University of Sheffield presented a spectacular exhibition and a feast for the senses, Memoirs of a Showwoman. Displays showcased costumes from Marisa´s shows, including the dress worn by Paloma Faith for Carnesky´s Ghost Train, collaborative work with artists such as Anthony Bennett and Mark Copeland, inspirations from the archive and unseen material from Marisa's personal archive.

Extent

16.5 Linear metre(s) (16 boxes, 1 folder and 39 framed posters)

Language of Materials

English

Dutch; Flemish

French

Spanish; Castilian

Hebrew

Danish

Finnish

Croatian

Portuguese

Arrangement

Catalogued according to type

Accruals

Further accruals expected

Status
Completed
Author
Created by Jane Donaldson Updated by Arantza Barrutia on Finding Aid Date field date Further accruals T274 processed by student placements June 2023 and revised by Arantza Barrutia October 2023
Date
20 September 2019
Description rules
International Standard for Archival Description - General
Language of description
English
Script of description
Latin

Repository Details

Part of the National Fairground and Circus Archive Repository

Contact:
The University of Sheffield
Western Bank
Sheffield South Yorkshire S10 2TN United Kingdom
0114 222 7231