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Bertram Mills Circus (1920 - 1967)

 Organisation

Dates

  • Existence: 1920 - 1967

Biography

Bertram Wagstaff Mills was born in London on August 11, 1873, the son of Halford Lewis Mills of Smarden, the proprietor of a coach building firm and funerary company.

Bertram became part of the family business as a carriage builder and only became involved in the circus through a wager in 1919 of £100 from Sir Gilbert Greenhall, a fellow coaching enthusiast, who was encouraged by R.G. Heaton, the Managing Director of Olympia to put on a first class circus after watching what was in his eyes a very disappointing show at Olympia.

Mills has originally planned to win the wager by engaging Ringling Bros and Barnum and Bailey to come to London for the 1920-1921 season but cancellation of the contract resulted in Mills decided to put on his own show. He rose to the challenge and the following year he presented a circus which would become an annual highlight for London audiences and introduced world class performers to the British public.

Between 1930 and 1964, and alongside his annual shows at Olympia, Bertram Mills Circus toured the country under the management of his sons Cyril and Bernard. Following the lines of excellence, production and performance standard set by the Olympia shows, according to Bertram Mills, ‘The Mills Circus will perform like professionals and live like gentlemen."

After approximately nine years of exhibiting in London, he created a tenting show which was said to have cost £40,000 to launch and £2500 to run weekly. With the crème de la crème of circus performers forming part of his touring repertoire, regional audiences thrilled to some of the leading artists of the day appearing in the specially designed German big top which travelled by their town by rail, the first British showmen to do so.

Bertram Mills’ status as an innovator and re-invigorator of the circus was heralded on both sides of the Channel. He only selected the best and most polished performers in the world and one of his major impacts as a producer was his ruthless ability to select the best five minutes of a twenty minute act. Circus historian Don Stacey lists these as part of his five principles the others being the ability to attract and convert influential people to the cause of the circus, using individual acts to promote as the star of the show with his treatment of Koringa being a case in point, and finally his ability in using publicity and marketing for the benefit of the show. As one contemporary commentator observed, 'It is not an exaggeration to say that he brought back the circus to England at a time when it seemed that it was about to quietly expire, killed by the War and mechanical entertainment'.

Mills believed in attracting and encouraging the attentions of the great and the good and following on a tradition laid out in the nineteenth century when circus was patronised greatly by the Royal Family, he aimed to make the Quality Show part of the establishment. From 1926 onwards following a visit of the then Prince of Wales to Olympia, the association between the Bertram Mills Circus and the Royal Family resulted in over sixty visits to the shows during its time in Olympia and other venues.

Bertram Mills became President of the Showmen’s Guild of Great in 1935, only the second circus showmen to hold such a position and the first and only time in its history that the position was occupied by someone not born into the business. He proved to be a successful and capable President, often travelling thousands of miles on Guild business including attending the First International Showmen’s Congress in Paris in 1937. Also this year Bertram Mills was the first circus in the world to be televised.

Mills died at the age of sixty-four of cardiac syncope and bronchial pneumonia on 16 April 1938 at his home, Pollards Wood, Chalfont St Giles, the day the tenting circus opened, at Luton, but the circus opened that evening. His death was greeted by the public and industry alike with shock as tributes to Britain’s No 1 Showman and King of the Circus appearing on the newsstands. However, the legacy he built was second to none, the principals laid down by the Quality Show with its attention to detail, model professionalism and quality of acts would be continued by both his sons and provided a template for the industry to follow.

By 1965 Bertram Mills Circus was in decline due to raising costs and the new way of competition the advent of television brought to the entertainment sector. The last winter season at Olympia was delivered by catering and hotel magnate Maxwell Joseph who leased the business for the 1966-1967 season, which will be the last one. Bertram Mills Circus closed 1967.

Found in 9 Collections and/or Records:

Circus Friends Association Collection

 Fonds
Reference code: NFA0122
Scope and Contents

This collection consists of a large library of books and journals, as well as archival material including posters, programmes, photographs, films, handbills, research material, scrapbooks, original artwork and many other items of ephemera relating to British, Irish and European circuses

Dates: 1795 - 2020

Newspaper Cuttings and Scapbooks, 1838 - 2007

 Series
Reference code: 178G21
Scope and Contents

A collection of newspaper cuttings on circus, circus proprietors and performers and scrapbooks containing newspaper cuttings, posters, programmes and other items of ephemera, covering mainly British circuses and venues such as Belle Vue and also some international circuses.

Dates: 1838 - 2007

Original Artwork, c1800 - 2000

 Series
Reference code: 178V11
Scope and Contents

Original works of art including artists' prints, drawings, watercolours and paintings, and designs for circus posters.

Dates: c1800 - 2000

Photographic Album, 1941 - 1955

 Item
Reference code: 178C57.13696
Scope and Contents Photographic album containing black and white photographs of fairgrounds, fairground rides, steam engines and transport, circus and fairground shows including Crow, Harry Lee, Smart, Bertram Mills, Farrar, Butlin, Codona, Silcock, Shaw, Marshall, Pat Collins, M.A. Collins, Harry Lee and Wallis at Oldham Fair, Lincoln Fair, Bootle, Huddersfield, Southport, Hull Fair, Knottingley Fair, Stanley Park and other locations and showmen with notes. Photographs taken and collected by Rowland Scott,...
Dates: 1941 - 1955

Photographs, c1900 - 1968

 Series
Reference code: 178C79
Scope and Contents Black and white photographs, postcards and negatives of the Testo family, performers, side shows, animals, fairgrounds and circuses including Angela Rabbets ‘Jungle Girl’ female snake act, Sonya Alan ‘Lady of Lions’, men and women in WWI and WWII uniforms, Golga Testo snake act with Bertram Mills Circus, Pauline Testo, Alf Testo, Nora and Billy Kayes, Jack Lemm and his Troupe at Testo’s show, members of the Chipperfield family, members of the Dobson family, members of the Pinder family...
Dates: c1900 - 1968

Photographs and Postcards, c1899 - 1969

 Series
Reference code: 178C57
Scope and Contents

Photographs, postcards and negatives of fairgrounds taken by Rowland Scott and other fairground enthusiasts.

Dates: c1899 - 1969

Programmes, c1800 - 2019

 Series
Reference code: 178K43
Scope and Contents

A collection of mainly British and international circus programmes and some variety and music hall programmes containing circus acts.

Dates: c1800 - 2019

Rowland Scott Collection

 Fonds
Reference code: NFA0037
Scope and Contents

Photographs related to all aspects of British travelling fairgrounds including; rides, transport, living wagons, showpeople, fairground shows, circuses and organs by Rowland Scott and other authors, a selection of manuscripts by Rowland Scott and a small amount of correspondence.

Dates: c1899 - 1989

Testo Family Collection

 Fonds
Reference code: NFA0032
Scope and Contents

This collection comprises photographs, business records, articles, correspondence, newspaper cuttings, advertising material, family research and items of personal archive related to the Testo family history in the fairground and circus

Dates: 1898 - 1999