Circus Friends Association of Great Britain (Established 1934)
Biography
The CFA, formerly known as the Circus Fans Association was stablished on Saturday 20th January 1934 in the ring of Bertram Mills Circus at Olympia, London by a group of enthusiasts. The CFA’s purpose remains the same as in its conception; to stimulate, foster and promote enthusiasm for circus and related performances as part of British culture.
During 1934, the pattern for CFA activities was established, with the formation of the library, the publication of The Sawdust Ring magazine and the first rallies, including ones to the Hippodrome Circus in Great Yarmouth and Blackpool Tower. The annual subscription at the time was one guinea for residents in a radius of 60 miles from London 'as defined by Automobile Association handbook', and half a guinea for those residing outside that area, in the provinces. 'For residents in the Colonies and foreign counties' the subscription was 7/6.
The first President of the CFA was Lady Eleanor Smith (1902-1945), the eldest child of the politician F. E. Smith. Lady Eleanor Smith was an author, a society reporter and cinema reviewer and worked as a publicist for circus companies.
Other notable presidents were; Dame Laura Knight (1877-1970), the most celebrated British impressionist female artist of all time and the first woman to ever be elected to the Royal Academy. The actor Sir Cedric Hardwicke (1893-1964), wine merchant and philanthropist Sir Walter Gilbey (1831-1914), theatrical manager and empresario Sir Charles B. Cochran (1872-1951), Sir William Savory (1882-1961), author Antony Hippisley Coxe and Commander W. J. Gerard.
The first five years of the CFA saw the firm establishment of the Association its activity, although it was active by Alfred 'Dickey' Bird. The post-war years were difficult but the CFA continued operating with the same aims and ambitions.
The library was started in 1937, as a gift of 30 books from A.C. McLachlan. Others titles were acquired by purchase or donation. It contains books on virtually every aspect of circus life from individual acts, to acts of Parliament, from erecting a Big Top, to the logistics of transporting circuses, works of fiction, photography and juvenile literature all of which help to create a greater understanding of the many contrasts in circus life; of the romance, tragedy, spectacle and hardships.
Notable authors who have contributed to the myth and legend of circus include Lady Eleanor Smith, who in 1945, donated all her circus books to the CFA, Ruth Manning-Sanders and Courtney Ryley Cooper, an American writer who, after having first joined a circus aged 16, went on to write crime books and ghost-wrote articles under J. Edgar Hoover’s name in the 1930s.
After the war lists of holdings were printed and distributed to members, who could borrow a book at a time by post. By the mid 1970s, the ‘Library Catalogue’ listed 525 books and a ‘Circusiana’ section was created for valuable books, for reference only.
The CFA continues maintaining the collection, ensuring its growth and establishing it as the primary, national collection of books on circus.
The CFA has also amassed one of the most fascinating and important collection of circus related material in the United Kingdom expanding over 200 years. This material has supported research and literature produced by its members over the years and has ensured that an important part of British circus history will be available for future generations of researchers and enthusiasts.
The association has always welcomed enthusiasts and circus artistes to it’s membership and has always produced a regular publication giving news, reviews and articles on circus artistes and personalities and reviews of British and foreign circuses. The current quarterly magazine King Pole, named after the masts, which support a circus tent, is regarded as one of the leading circus periodicals in the world.
The CFA continues to organise visits, formerly called rallies, for the members, to UK circuses and recognises the achievements of those involved in circus with special awards.
After almost 85 years in existence the CFA continues to flourish with membership being maintained in the region of 500 comprising both British and subscribers from abroad.
Found in 1288 Collections and/or Records:
2 Rosinas Balancing Act Advertising Pamphlet, c1900 - 1999
Grey illustration of a question mark with a scroll border on the front page, inside black and white photograph of man and woman performing a balancing act and text and booking details on reverse, 2p.p.
3 Ring Circus, Caroli Family, Busch Roland, Cirque Jean Richard and Freida Semback Krone Circus Films, 1954 - 1982
16th Monte Carlo Circus Festival, Cicus Maximum and Circus Krone Films, 1991 - 1996
23 Festival Mondial du Cirque de Demain, 21 Zirjusfestival, Zirkus van Morgen, Cirque du Demain, Stars in der Manege and Cirkus Krone Films, 1998 - 2002
A Directory of Circus Proprietors Research Material, 1800 - 1947
Directory of circus proprietors by Hal Thomas (David Harold Thomas) with dates and notes. Manuscript.
A Grand Collection of Birds and Wild Beasts Handbill, c1950 - 1999
To be seen alive in a commodious room near the Black-Boy in this town. Golden eagle, vulture, panther, wolf, half-and-half the oronoto, the fiery link, the oposon, a mango, an ape, capuchine, jackall. Black type on white background with coat of arms on top section
A-Z of Circus Performers Research Material, c1900 - 1999
A-Z of circus performers containing act names, family names, type of acts and individual performers names by Hal Thomas (David Harold Thomas). Manuscript.
Acrobatic Act Print, 1974
Black and white etching showing a troupe of thirteen acrobats performing a pyramid act in a circus ring produced for the Club du Cirque 25th anniversary in April 1974, signed on bottom left [illegible].
Adah Isaacs Menken as Mazeppa Print, c1800 - 1899
Lithograph on paper printed by Concanen, Lee and Siebe, 12 Frith Street. Colour illustration of woman tied up to a black galloping horse in a mountanous landscape.
Aeros Circus Programmes, 1954 - 1971
Aeros Circus programmes containing colour illustrations on the front covers, inside black and white photographs of perfomers and acts with text, introduction, programme.
All New Superdrome Circus Programme, 1995
Peter Jay presents The Russian Fantasy. Colour illustration of man stood up on elephant's head with right fist raised on a black background on the front cover, inside introduction, colour photographs of performers and acts with text, programme in the centre and commercial advertising, 8p.p.
All New Superdrome Circus Programme, 1996
Peter Jay presents the Big One Hundred Celebration. Colour photographs of ringmaster and performers on a pink background on the front cover, inside introduction, colour photographs of acts and performers with text, programme in the centre and commercial advertising, 8p.p.
Alley-Oop! Drawing, c1930 - 1955
Ink and watercolour wash on paper by Salomon van Abbe (1883-1955). Black and white illustration of clown holding a hoop on the left hand side and elephant stood on his back legs on a platform on the right, signed on bottom right corner in ink and on bottom left in pencil.
Althoff Circus Programmes, 1953 - 1977
Althoff Circus programmes for Franz Althoff, Carl Althoff, Adolf Althoff and Rudi Althoff Circus, containing colour illustrations on the front covers, inside black and white and colour photographs of perfomers and acts with text, introduction, programme and commercial advertising, featuring Koringa, Buffalo Bill impresonators, Rogge Sisters, Rogana, Arthur Robin aka The Black Hercules and The Rivels.
American Circus Programmes, 1932 - 1983
Programmes for various American circuses including; Polack Bros., Al G. Barnes, Shrine, Hagenbeck-Wallace, Cole Brothers and Clyde and Beatty, King Bros., Mills Bros. and Cristiani-Wallace Bros. Circus, Bullen Bros., Shrine Circus, California Circus, Myers Grand American Circus and Circus Hoffman. All contain black and white or colour photographs of the acts and performers inside, a programme, some information about the circus and acts and commercial advertising.
Amphitheatre Poster, Monday 9 November 1829 and rest of the week
Anderton and Rowland's Grand Empire Palace Poster, c1900 - 1930
Anglo-American Circus Poster, Friday 4 Saturday 5 May 1945
Arena of Astley's Amphitheatre, Surrey Road Print, 1 December 1815
Engraving on paper by George Jones (1786-1869), printed by W. Wise and published by Robert Wilkinson, No. 58 Cornhill. Two black and white illustrations, on top interior view of theatre with equestrian act on the edge and other performers in the centre, band on bottom right and audience on balconies, on the bottom external view of building.
Arthur Joel's Anglo-Russian Circus Programmes, 1941 - 1943
Monochrome illustrations of equestrian acts on front covers, inside programme.