Circus Friends Association of Great Britain (Established 1934)
Biography
The CFA, formerly known as the Circus Fans Association was stablished on Saturday 20th January 1934 in the ring of Bertram Mills Circus at Olympia, London by a group of enthusiasts. The CFA’s purpose remains the same as in its conception; to stimulate, foster and promote enthusiasm for circus and related performances as part of British culture.
During 1934, the pattern for CFA activities was established, with the formation of the library, the publication of The Sawdust Ring magazine and the first rallies, including ones to the Hippodrome Circus in Great Yarmouth and Blackpool Tower. The annual subscription at the time was one guinea for residents in a radius of 60 miles from London 'as defined by Automobile Association handbook', and half a guinea for those residing outside that area, in the provinces. 'For residents in the Colonies and foreign counties' the subscription was 7/6.
The first President of the CFA was Lady Eleanor Smith (1902-1945), the eldest child of the politician F. E. Smith. Lady Eleanor Smith was an author, a society reporter and cinema reviewer and worked as a publicist for circus companies.
Other notable presidents were; Dame Laura Knight (1877-1970), the most celebrated British impressionist female artist of all time and the first woman to ever be elected to the Royal Academy. The actor Sir Cedric Hardwicke (1893-1964), wine merchant and philanthropist Sir Walter Gilbey (1831-1914), theatrical manager and empresario Sir Charles B. Cochran (1872-1951), Sir William Savory (1882-1961), author Antony Hippisley Coxe and Commander W. J. Gerard.
The first five years of the CFA saw the firm establishment of the Association its activity, although it was active by Alfred 'Dickey' Bird. The post-war years were difficult but the CFA continued operating with the same aims and ambitions.
The library was started in 1937, as a gift of 30 books from A.C. McLachlan. Others titles were acquired by purchase or donation. It contains books on virtually every aspect of circus life from individual acts, to acts of Parliament, from erecting a Big Top, to the logistics of transporting circuses, works of fiction, photography and juvenile literature all of which help to create a greater understanding of the many contrasts in circus life; of the romance, tragedy, spectacle and hardships.
Notable authors who have contributed to the myth and legend of circus include Lady Eleanor Smith, who in 1945, donated all her circus books to the CFA, Ruth Manning-Sanders and Courtney Ryley Cooper, an American writer who, after having first joined a circus aged 16, went on to write crime books and ghost-wrote articles under J. Edgar Hoover’s name in the 1930s.
After the war lists of holdings were printed and distributed to members, who could borrow a book at a time by post. By the mid 1970s, the ‘Library Catalogue’ listed 525 books and a ‘Circusiana’ section was created for valuable books, for reference only.
The CFA continues maintaining the collection, ensuring its growth and establishing it as the primary, national collection of books on circus.
The CFA has also amassed one of the most fascinating and important collection of circus related material in the United Kingdom expanding over 200 years. This material has supported research and literature produced by its members over the years and has ensured that an important part of British circus history will be available for future generations of researchers and enthusiasts.
The association has always welcomed enthusiasts and circus artistes to it’s membership and has always produced a regular publication giving news, reviews and articles on circus artistes and personalities and reviews of British and foreign circuses. The current quarterly magazine King Pole, named after the masts, which support a circus tent, is regarded as one of the leading circus periodicals in the world.
The CFA continues to organise visits, formerly called rallies, for the members, to UK circuses and recognises the achievements of those involved in circus with special awards.
After almost 85 years in existence the CFA continues to flourish with membership being maintained in the region of 500 comprising both British and subscribers from abroad.
Found in 145 Collections and/or Records:
Equestrian Performer Drawing, c1900 - 1999
Ink on card drawing by I. J. C. Black and white illustration of the back of a female rider standing on two horses.
Fillis' Great Circus Poster, c1800 - 1899
Films, 1927 - 2007
Compilation of circus films showing acts on the ring as well as interviews with performers and proprietors, mainly produced by tv companies in the UK and Europe. Many of them narrated in German.
Fossett's and Bailey's Circus Programmes, c1900 - 1999
Fosset's and Bailey's Circus programmes including Sir Robert Fosset's Circus, Baile's Circus and Fossett and Bailey's Circus
Gerry Cottle's Circus, Cottle and Austen and Burnt Stub's Circus Programmes, c1900 - 2001
Gerry Cottle Circus programmes including Circus of Horrors, Cottle and Austen, Cottle-Chipperfield Circus, Continental Berlin Circus, Moscow State Circus and Gerry Cottle's Circus abroad.
Gerry Cottle's Circus Programme, 1978
Black and white photograph of aerial act in the circus ring, blue and white type and blue border with white stars on the front cover, inside introduction to Gerry Cottle and Charlie Cairoli, with black and white photographs and equestrian act above programme, on back cover black and white photographs of perfomers and acts, 2p.p
Grand Circus Programme, 27 November 1893
Great International Cirque Programme, Christmas season 1885-1886
Great Yarmouth Hippodrome Circus and Liverpool Stadium Programmes, c1900 - 2004
Great Yarmouth Hippodrome and Liverpool Stadium circus programmes including Billy Russell, Peter Jay, Jasmine Smart and Sally Chipperfield among others.
Hengler Circus Programmes, 1837 - 1892
Monochrome illustrations of equestrian acts on front covers, inside programme, 2pp.
Hengler's Grand Cirque Poster, 19 September 1877
Hippodrome Circus Great Yarmouth Programme, 1934
Three fold programme with colour illustration of three clown faces breaking through a paper ring in the centre and four circus acts on the edges including weight lifting, equestrian act, trapeze act and balancing act over a redish background on the front cover, inside programme in the centre and commercial advertising on the sides, on reverse equestrian act with eight horses.
Hippodrome Circus Great Yarmouth Programme, 1935
Three fold programme with colour illustration of three clown faces breaking through a paper ring in the centre and four circus acts on the edges including weight lifting, equestrian act, trapeze act and balancing act over a redish background on the front cover, inside programme in the centre and commercial advertising on the sides, on reverse equestrian act with eight horses.
Hippodrome Circus Great Yarmouth Programme, 1938
Three fold programme with colour illustration of three clown faces breaking through a paper ring in the centre and four circus acts on the edges including weight lifting, equestrian act, trapeze act and balancing act over a redish background on the front cover, inside programme in the centre and commercial advertising on the sides, on reverse equestrian act with eight horses.
Hippodrome Programme, 19 August 1889
Hippodrome Programme, c1800 - 1899
Jimmy Chipperfield's Circus World Programme, c1900 - 1999
Hippodrome, Great Yarmouth. Black and white photograh of equestrian act with two horses and female trainer on red background on the front cover, inside introduction and historical background, black and white photographs of acts and perfomers with text, programme in the centre and commercial advertising, 6p.p.
Julian's International Circus Programme, c1892
Kunstreiter und Gaukler Portfolio of Prints, 1877 - 1881
Equestrian and jugglers fold out portfolio containing circus themed lithographs mounted on green card with red text in German by Heinrich Lang, showing mainly acrobats, clowns and equestrian acts, some pages contain multiple studies, contains 28 prints on 25 mounts. Published by Adolf Ackermann, Munchen, 1881.
Lord George Sanger's Circus Programme, 1935
Black and orange illustrations of ringmaster, roaring lion, female equestrian act and performing dog on blue background on the front cover, inside programme and after performance show on back cover. Printed by Stafford and Co., Ltd., Printers, Netherfield, Nottingham, 2p.p.